Saturday, June 23, 2007

Two Kinds of Reading by C.S. Lewis

"There are two ways of enjoying the past, as there are two ways of enjoying a foreign country. One man carries his Englishry abroad with him and brings it home unchanged. Wherever he goes he consorts with the other English tourists. By a good hotel he means one that is like an English hotel. He complains of the bad tea where he might have had excellent coffee. He finds the natives quaint and enjoys their quaintness…In the same way there is a man who carries his modernity with him through all his reading of past literatures and preserves it intact. The highlights in all the ancient and medieval poetry are for him the bits that resemble – the poetry of his own age.

"…
But there is another sort of travelling and another sort of reading. You can eat the local food and drink the local wines, you can share the foreign life, you can begin to see the foreign country as it looks, not to the tourist, but to its inhabitants. You can come home modified, thinking and feeling as you did not think and feel before. So with the old literature. You can go beyond the first impression that a poem makes on your modern sensibility. By study of things outside the poem, by comparing it with other poems, by steeping yourself in the vanished period, you can then re-enter the poem with eyes more like those of the natives; now perhaps seeing that the associations you gave to the old words were false, that the real implications were different than you supposed, that what you thought strange was then ordinary and that what seemed to you ordinary was then strange.

"...I am writing to help, if I can, the second sort of reading. Partly, of course, because I have a historical motive. I am a man as well as a lover of poetry: being human, I am inquisitive, I want to know as well as to enjoy. But even if enjoyment alone were my aim I should still choose this way, for I should hope to be led by it to newer and fresher enjoyments, things I could never have met in my own period, modes of feeling, flavours, atmospheres, nowhere accessible but by a mental journey into the real past. I have lived nearly sixty years with myself and my own century and am not so enamoured of either as to desire no glimpse of a world beyond them. As the mere tourist’s kind of holiday abroad seems to me rather a waste of Europe – there is more to be got out of it than he gets – so it would seem to me a waste of the past if we were content to see in the literature of every bygone age only the reflexion of our own faces."


~C.S. Lewis, "De Audiendis Poetis", Studies in Medieval and Renaissance Literature

Wednesday, June 06, 2007

Owen and Tennyson

well...long time, no post. I bet you've all been waiting with bated breath...

I'm reading Tennyson's Idylls of the King this summer for Book Tea. It's wonderful, although I might find it pretty hard going if I hadn't read James Knight's version for children of Morte d'Artur and Geoffrey of Monmouth's History of the Kings of Britain first.

I'm also reading John Owen's Mortification of Sin. These two, surprisingly, complement each other nicely.

When the fair Elaine falls in love with the dashing Sir Lancelot,

"The shackles of an old love straiten'd him,
His honour rooted in dishonour stood
And faith unfaithful kept him falsely true."

He was faithful to his unfaithful love for Queen Guinevere. Consequently, Elaine pined away unto death and then dramatically (to say the least) made a point of letting Lancelot know. It's worth reading if you don't know the story...and you must read it to understand Anne's perilous river journey which ended with Gilbert's rescue in Anne of Green Gables.

Here's Owen on sin's effect on our judgement:
"Sin's loud voice darkens the mind so that it cannot make a right judgement of things...so that it does not rightly judge the guilt of sin."